In Search of Self-Knowledge in Missing Soluch

Document Type : Research Papers

Author

Kharazmi University

10.22099/jps.2021.38586.1120

Abstract

This study discusses self-knowledge and its possibility in literary works, particularly in novel proper. Novels can depict the development and change of characters and are an ideal form to portray the self-knowledge that characters gain as they grow up. I inquire into the limitations that a literary work places on both the author and the reader’s imagination. Whether to attempt to depict or to defy the real world, literary imagination is checked by outside reality. On the other hand, the reality itself is framed by the literary work to be representable and expressible for the literary medium which either narrates or depicts objects, thoughts and emotions, and events. The narrator can relate the characters to the readers who can connect with the characters’ thoughts and emotions. On this account the possibility of self-knowledge is probed in Mahmoud Dowlatabadi’s novel, Missing Soluch, and how both the characters and the readers are engaged in the story’s events. For the purposes of this paper, I set out to explore the kinds of knowledge we gain by reading the novel, contrast the epic with the novel in order to see how they portray a character’s thoughts and emotions, and discuss the importance of narrative in a character’s development.  

Keywords


Carroll, Noël. “Art, Narrative, and Moral understanding.” Aesthetics and ethics, edited by Jerrold Levinson, Cambridge UP, 1998, pp. 126-160.
Cascardi, Anthony J. “The Novel.” The Oxford Handbook of Philosophy and Literature, edited by Richard Eldridge, Oxford UP, 2009, pp. 162-179.
Currie, Gregory. “Narrative and the Psychology of Character.” The Journal of Aesthetics and Art Criticism, vol. 67, no. 1, 2009, pp. 61–71. JSTOR, www.jstor.org/stable/40206390.
Currie, Gregory. “Realism of Character and the Value of Fiction.” Aesthetics and ethics, edited by Jerrold Levinson, Cambridge UP, 1998, pp. 161-181.
Dowlatabadi, Mahmoud. Missing Soluch. Translated by Kamran Rastegar, EPUB ed., Melville House, 2007.
Dowlatabadi, Mahmoud. Noone Neveshtan [The Initial of Writing]. Cheshmeh, 2018.
Dowlatabadi, Mahmoud. Obur Az Khod [Eclipsing the Self]. Cheshmeh, 2019.
Filutowska, Katarzyna. “Narrative and Literary Text as a Source of Self-Knowledge and Self-Cognition.” Culture and Values, n. 20, 2017, pp. 15-30. Scientific e-Journals, doi: http://dx.doi.org/10.17951/kw.2016.20.15.
Fludernik, Monika. Towards a 'natural' narratology. Routledge, 2005.
Gibson, John. “Between Truth and Triviality.” British Journal of Aesthetics, vol. 43, no. 3, 2003, pp. 224-237. Oxford Academic, doi: https://doi.org/10.1093/bjaesthetics/43.3.224.
Gibson, John. “Literature and Knowledge.” The Oxford Handbook of Philosophy and Literature, edited by Richard Eldridge, Oxford UP, 2009, pp. 467-485.
Graham, Gordon. “Learning from Art.” British Journal of Aesthetics, vol. 35, no. 1, 1995, pp. 26-37. Oxford Academic, doi: https://doi.org/10.1093/bjaesthetics/35.1.26.
Hutto, Daniel D. “Narrative Understanding.” The Routledge companion to philosophy of literature, edited by Noël Carroll and John Gibson, Routledge, 2016, pp. 291-301.
Janaway, Christopher. “Plato.” The Routledge companion to aesthetics, edited by Berys Gaut and Dominic M. Lopes, Routledge, 2013, pp. 3-12.
John, Eileen. “Theme.” The Routledge companion to philosophy of literature, edited by Noël Carroll and John Gibson, Routledge, 2016, pp. 205-216.
Nanay, Bence, “‘Know thyself’ is not just silly advice: it’s actively dangerous.” Aeon, Aeon Media Group, 16 Oct. 2017, https://aeon.co/ideas/know-thyself-is-not-just-silly-advice-its-actively-dangerous. Accessed 20 May 2020.
O’Brien, Lucy. “The Novel as a Source for Self-knowledge.” Art and Belief, Sullivan-Bissett, Ema, et al., editors. Oxford UP, 2017, pp. 135-150.
Plato. Republic. Translated by Robin Waterfield, Oxford UP, 1993.
Sedivy, Julie. “Why Doesn’t Ancient Fiction Talk About Feelings?” Nautilus, NautilusThink Inc, 27 Apr. 2017, http://nautil.us/issue/47/consciousness/why-doesnt-ancient-fiction-talk-about-feelings. Accessed 15 May 2020.
Shusterman, Richard. “Art as Dramatization.” The Journal of Aesthetics and Art Criticism, vol. 59, no. 4, 2001, pp. 363–372. JSTOR, www.jstor.org/stable/432289.
Singer, Alan. “Plot.” The Oxford Handbook of Philosophy and Literature, edited by Richard Eldridge, Oxford UP, 2009, pp. 369-392.