A
-
Azra-ye Khalvatneshin
Azra-ye Khalvatneshin, Taqi Modarresi's Last Novel [Volume 1, Issue 1, 2012, Pages 1-5]
F
-
Farid al-Din ‘Attar
Against the Current: Farid al-Din ‘Attar’s Diverse Voices [Volume 1, Issue 1, 2012, Pages 87-109]
-
Focalization؛ Narrative
Focalization: An Investigation into the Narratology of Moniru Ravanipur’s “Kanizu” [Volume 1, Issue 1, 2012, Pages 59-73]
G
-
Genette
Focalization: An Investigation into the Narratology of Moniru Ravanipur’s “Kanizu” [Volume 1, Issue 1, 2012, Pages 59-73]
H
-
Hafiz
Cultural Translation: A Critical Analysis of William Jones's Translation of Hafez [Volume 1, Issue 1, 2012, Pages 41-58]
-
Halu
Modernity and “Monstros/city” in Othello and Nassirian’s Halu [Volume 1, Issue 1, 2012, Pages 7-40]
I
-
Iago
Modernity and “Monstros/city” in Othello and Nassirian’s Halu [Volume 1, Issue 1, 2012, Pages 7-40]
L
-
Love
Against the Current: Farid al-Din ‘Attar’s Diverse Voices [Volume 1, Issue 1, 2012, Pages 87-109]
M
-
Modernity
Modernity and “Monstros/city” in Othello and Nassirian’s Halu [Volume 1, Issue 1, 2012, Pages 7-40]
-
Modern Persian novel
Azra-ye Khalvatneshin, Taqi Modarresi's Last Novel [Volume 1, Issue 1, 2012, Pages 1-5]
R
-
Ravanipur
Focalization: An Investigation into the Narratology of Moniru Ravanipur’s “Kanizu” [Volume 1, Issue 1, 2012, Pages 59-73]
-
Roderigo
Modernity and “Monstros/city” in Othello and Nassirian’s Halu [Volume 1, Issue 1, 2012, Pages 7-40]
S
-
Self & Other
Against the Current: Farid al-Din ‘Attar’s Diverse Voices [Volume 1, Issue 1, 2012, Pages 87-109]
-
Structuralism
Focalization: An Investigation into the Narratology of Moniru Ravanipur’s “Kanizu” [Volume 1, Issue 1, 2012, Pages 59-73]
T
-
Taqi Modarresi
Azra-ye Khalvatneshin, Taqi Modarresi's Last Novel [Volume 1, Issue 1, 2012, Pages 1-5]
-
Transgression
Against the Current: Farid al-Din ‘Attar’s Diverse Voices [Volume 1, Issue 1, 2012, Pages 87-109]
W
-
William Jones
Cultural Translation: A Critical Analysis of William Jones's Translation of Hafez [Volume 1, Issue 1, 2012, Pages 41-58]
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